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Hey Guys, give brand LOVE a chance!

Catalyst, hidden persuader or gentle, deceptive brand statement, LOVE, Monojit Lahiri insists, is much more than a 4-letter wo...

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Revisiting Mani Kaul’s Mini-series Ahmaq

Devdutt Trivedi writes that in Ahmaq, Kaul wanted to underline the symbiotic relationship between Hinduism and Islam.

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Starring Leela Mishra & Kanhaiyalal

Aparajita Krishna talks to eminent members of the film industry and Indian theater to explore how Leela Mishra and Kanhaiyalal...

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The curious case of Sushmita Sen

As the web series ‘Arya’ wows the OTT space and is rated as one of the best Indian web series of 2021, Monojit Lahiri Read More

If I Am, So God Must Be!

Humra Quraishi discusses the absence of God in the Hindutva narrative of 2021, that threatened minorities and denied to India ...

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The films of Maya Deren

Between MacGuffin and Transference is the empty signifier that carries her film ‘Meshes of the Afternoon’ forward, writes D...

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Jhappi-pappi and all

Farrukh Dhondy recalls the Bhartiya Janta Party’s election victory of 2014, which he watched unfold on television when h...

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The Indian ‘New Wave’ for the Millennial

Even though I use a lot of close ups, “Once upon a time, long, long ago…” should be the tone and tenor of this account from ...

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A look at Janani's Juliet

Pankaj Rishi Kumar’s documentary film was India’s official entry to the Academy Awards. It tackles socio-political realities throug...

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Claude Chabrol and The Poetics of Murder

My first exposure to the ‘French New Wave’, La Nouvelle Vague, was through Claude Chabrol’s Violette Nozière (1978). M...

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